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Federico fellini wiki
Federico fellini wiki










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They should pass a law for a total reeducation of the young, making children visit the Galleria Borghese on a daily basis. This incessant bombardment of images has developed a hypertrophied eye condition that's turning them into a race of mutants.

  • The young watch television twenty-four hours a day, they don't read and they rarely listen.
  • A good opening and a good ending make for a good film provided they come close together.
  • Neither a philospher nor a psychiatrist, I never bother trying to analyze or resolve my fears and neuroses. Neither a politician nor a priest, I never censor what others do.
  • If I'm a cruel satirist at least I'm not a hyprocrite: I never judge what other people do.
  • Hype is the awkward and desperate attempt to convince journalists that what you've made is worth the misery of having to review it.
  • God may not play dice but he enjoys a good round of Trivial Pursuit every now and again.
  • Nietzsche claimed that his genius was in his nostrils and I think that is a very excellent place for it to be.
  • No critic writing about a film could say more than the film itself, although they do their best to make us think the opposite.
  • It's easier to be faithful to a restaurant than it is to a woman.
  • Experience is what you get while looking for something else.
  • Is it still possible that one thousand people might group together in the dark and experience the dream that a single individual has directed? The image it once held for us all - that of a dream we dreamt with our eyes open - has disappeared.
  • The public has lost the habit of movie-going because the cinema no longer possesses the charm, the hypnotic charisma, the authority it once commanded.
  • Here, freed of the Grim Reaper's scythe, we learn that pain is knowledge and all knowledge pain. Imposing another time powered by the Clock of the Imagination, however, can refuse his law.
  • Everyone knows that time is Death, that Death hides in clocks.
  • A created thing is never invented and it is never true: it is always and ever itself.
  • It's not what we say but how we say it that matters. Style is what unites memory or recollection, ideology, sentiment, nostalgia, presentiment, to the way we express all that. Others can interpret craftsmanship as style if they wish. No, what's important is the way we say it.
  • I discovered that what's really important for a creator isn't what we vaguely define as inspiration or even what it is we want to say, recall, regret, or rebel against.
  • federico fellini wiki

    If there's one thing that's dangerous for an artist, it's precisely this question of total freedom, waiting for inspiration and the rest of it.

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    Left on his own, free to do anything he likes, the artist ends up doing nothing at all. I don't believe in total freedom for the artist.What role does silence have in all this noise? I think television has betrayed the meaning of democratic speech, adding visual chaos to the confusion of voices. Fellini on Fellini (1976) edited by Anna Keel and Christian Strich translated by Isabel Quigly.There is only the infinite passion of life. "Every Time We Say Goodbye" in Sight and Sound ( June 1991).It’s this in-between that I’m calling a province, this frontier country between the tangible world and the intangible one - which is really the realm of the artist. What is an artist? A provincial who finds himself somewhere between a physical reality and a metaphysical one.

    federico fellini wiki

    And in the real cinema, every object and every light means something, as in a dream.

  • Talking about dreams is like talking about movies, since the cinema uses the language of dreams years can pass in a second and you can hop from one place to another.
  • As quoted in in The Atlantic (December 1965).
  • Besides, you can’t teach old fleas new dogs.

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  • Cinema is an old whore, like circus and variety, who knows how to give many kinds of pleasure.
  • Even if I set out to make a film about a fillet of sole, it would be about me.
  • On the autobiographical nature of his films, in The Atlantic (December 1965).
  • All art is autobiographical the pearl is the oyster’s autobiography.
  • What is an artist? A provincial who finds himself somewhere between a physical reality and a metaphysical one…












    Federico fellini wiki